Spotlight on music & media agent Ken Franklin

Son of living landmark Bea Franklin shares unique business

By Michael Perlman

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Ken Franklin with News 12 LI reporter Jenn Seelig, cameraman Michael & 98 years young SuperMom Bea Franklin, Jan 27, 2023

In last week’s column, a dynamic 98-years-young former Forest Hills resident Bea Franklin shared a treasure trove of local memories and an extensive family history, which encompassed everything from first-hand photos of the Holocaust and political dignitaries to the founding of Pep Boys and Strauss Stores.

Now it is time to step behind the scenes with her son, Ken (Kenjamin) Franklin, a notable music and media agent of RadioActive Talent, Inc., who interviews and represents diverse and influential figures.

“It is really exciting to know that I am able to work with musicians responsible for the music that I have always loved listening to on the radio. I am proud to call them my friends. It’s great how I can land them concert bookings and interviews,” said Franklin, who estimates working with at least 50 influential figures, among many other talented personalities.

Ken Franklin with Cyndi Lauper’s boyfriend/manager David Wolff along with Millennium Records talent Captain Chameleon, 1981

Besides singer-songwriters, his career feels like an intriguing journey, as he makes a difference for bands, best-selling authors, comedians and broadcasters.

Franklin was born in Kew Gardens General Hospital and spent much time exploring Forest Hills with his family.

His first home was in Jamaica Estates with “SuperMom” Bea, father Jerry Franklin and older brothers Rick and Bruce.

Then he relocated to Lawrence, New York, where his mother and brothers continue to call home.

Today, he resides and works in Manhattan, but feels that he left his heart in Queens.

“I love wearing my Queens land F train t-shirt,” he said.

Franklin takes pride in working with Academy and/or Grammy award-winners that had #1 hit songs, such as Franke Previte and former Queens resident John DeNicola, who composed “(I’ve Had) The Time of My Life” and “Hungry Eyes” (the former on his Juno 106 keyboard in Queens) for the 1987 film, “Dirty Dancing.”

Ken Franklin with Academy Award winning singer_songwriter (Dirty Dancing) Franke Previte & TV host Donna Drake

Additionally, he worked with past Queens resident Stacy Widelitz, who co-wrote “She’s Like The Wind” with the late actor, Patrick Swayze, for the film.

“These are among the biggest songs in the history of film,” Franklin said.

Last August, Franklin worked with the Parks Department to screen the film in Washington Square Park for an audience of 500.

Prior to the screening, attendees enjoyed the debut of an exclusive interview with the three composers and Patrick Swayze’s widow, Lisa Swayze. It was moderated by iHeart Radio personality Jeff Stevens.

Over the years, Franklin has booked popular “yacht rock” band Ambrosia among others in destinations including New York, Chicago, Los Angeles, Paris and Asia.

Ambrosia is an American rock, jazz fusion and blue-eyed soul band founded in 1970 in Los Angeles, which continues to make international appearances.

This year, Franklin is producing “We Yacht For You” concerts (www.RadioTV.com) starring several of his hit-making friends.

One influential author that Franklin represents and lands interviews for is Illinois resident Jim Summaria, who is also a rock ‘n’ roll and corporate photographer and a co-host at WHRU, 101.5 FM.

One of his notable published works is a book titled “Classic Rock Photographs from Yesterday & Today,” which also features text by Mark Plotnick.

Summaria photographed legendary musicians ranging from Led Zeppelin, Heart and The Who to Bob Dylan, Genesis and Paul McCartney.

Another client of Franklin is author Bill Schnee, who wrote “Chairman At The Board – Recording The Soundtrack of A Generation,” which features creatively titled chapters including “I’ve Got the Music in Me” and “The Greatest Love of All.”

“He is a two-time Grammy winner who worked with many famous stars, such as The Beatles, Whitney Houston, Miles Davis and Steely Dan [which includes Forest Hills’ own Walter Carl Becker],” Franklin said.

Franklin has many fond memories of Forest Hills and nearby. He and his parents were close friends of Rocky Graziano (1919 – 1990), who ranked 23rd in The Ring magazine of the greatest punchers of all time, and was recognized for taking down an opponent with a single punch.

Franklin reminisced, “Rocky was a world champion middleweight boxer and a popular TV celebrity. Along with his wife Norma, they lived in Parker Towers, a few blocks from the T-Bone Diner, where we would eat. My dad took me to Rocky’s apartment to show me the display case of his gold belts. He and his wife ended up coming to my Bar Mitzvah, a formal affair at Temple Israel in Lawrence, New York.”

Graziano was also seen on a memorable segment of “The Tonight Show” starring Johnny Carson in December 1981.

Anticipating the reopening of the T-Bone Diner [and Delicatessen], he said, “Maybe when the diner reopens, SuperMom Bea can share with the cook the special ingredients in her prized matzah brei. In fact, she can make it right in the kitchen. Maybe they can name a dish after her, such as the Bubbie Bea Special.”

Franklin and his mother plan to visit in the summer.

Shopping and dining in “The Village,” centered along Austin Street in Forest Hills were other outstanding memories.

“I would eat with my grandparents at The Stratton. I also enjoyed seeing a hamburger come to me on a train at Hamburger Express, and then going to the Elliot Shop for clothes and Stride Rite for a new pair of shoes,” he said.

He also has fond memories of patronizing Addie Vallins, an ice cream parlor and candy shop on Continental Avenue.

He continued, “I would go to the iconic Horn & Hardart Retail Shop at 71-63 Austin Street. My mom would get me jelly donuts or rice or bread pudding.”

A sum of 180 H&H Automat self-service cafeterias once dotted New York and Philadelphia.

He pinpointed another tradition. “I would attend the annual Mayor’s Trophy Game at Shea Stadium and also go to the Lemon Ice King in Corona, and I still go back there.”

As for the Forest Hills Tennis Stadium, which will celebrate its centennial this year, he saw Chris Evert, an American former world No. 1 play in 1977.

Franklin is grateful for his friendship with members of the Grammy Award-winning band, Bruce Hornsby & The Range. They invited him to their Alumni Hall concert at St. John’s University in 1991.

Another highlight was representing Alison Steele (1937 – 1995), who became known as “The Nightbird,” a notable radio personality on WNEW-FM in New York City and Rock & Roll Hall of Fame inductee.

“I first met her at a concert in Forest Park. Ali was an inspiration to me, as I was getting involved in radio. Then in the early 1990s, I became her talent agent and secured broadcast commercials for her,” Franklin reminisced.

In 2004, Franklin booked a Beatles tribute band at the Ridgewood branch of Ridgewood Savings Bank’s parking lot, followed by another engagement at Terrace on the Park, not long after.

“The later event also functioned as a fundraiser to restore World’s Fair history. As a talent and media agent, I ended up booking The Beatles tribute bands twice in Queens, where my life began, and ironically, The Beatles played nearby at Shea Stadium,” he said.

Life-changing events were what told him that he had to get involved in the music and media business.

He explained, “My parents took me to see my first Broadway show featuring the late great Mary Martin, who starred in ‘The Sound of Music.’ I realized that music would play a very special part in my upbringing. Around ten years later, I listened on the radio to the last concert ever held at the iconic venue, Fillmore East, where the greatest pop-rock musicians performed, from Led Zeppelin to The Allman Brothers Band. When it closed on June 26, 1971, I listened to and recorded the seven-hour broadcast.”

His passion flourished at Long Island University, when he knocked on the door of the radio station on a cold February day and felt it was within him to be on college radio.

Ken Franklin kneeling on left in 1997 with multi-platinum band Ambrosia after a live in-studio performance on KLOS-FM LA, The Mark & Brian Show

That would evolve into commercial radio and employment with Millennium Records, a now defunct division of RCA Records.

Franklin undoubtedly has an outstanding career, but his number one inspiration is his SuperMom Bea, whose positive mindset provided much structure in his life.

“She is filled with lots of life and energy. She’s always learning and reading, and enjoys seeing Broadway shows. She doesn’t dwell on negativity, since people who do, lead an incomplete life,” he said.

That has also held true for Franklin’s career. He continued, “Look at all options and don’t give up if someone says no. You can do an internship and not get paid. In my case, I ended up interviewing Fleetwood Mac at college radio.”

He advises younger generations to look into the mirror and decipher how to improve one’s self, to increase desirability from the start.

Vintage postcards celebrate New Year’s traditions

By Michael Perlman

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Several decades ago, postcards were a unique work of art, which could be found at your corner pharmacy, but today vintage ones are found on eBay and at estate sales and postcard shows. They represent nearly every theme, including hometowns, hobbies and even New Year’s.

In 1873, the first American “picture postcard” was designed.

Today, a significant number of postcards from the late 19th and early to mid-20th century exist in an excellent state with fine penmanship and a one-cent stamp for domestic mail and two cents for international mail.

Deltiology is the collection and study of postcards, which derives from “deltion,” a Greek term for a writing tablet or letter. A postcard collector is known as a deltiologist.

Most New Year’s postcards are colorful lithographs that seem realistic, and a majority were published between 1898 and 1918.

Those from the 1920s to the 1940s were published in fewer quantities.

Some postcards offered a New York City theme.

One celebrated urban innovations and buildings that were regarded as landmarks.

A postcard recognizing the approach of 1906 features photos of significant landmarks; the Times Building, the New York City subway, the Flatiron Building and the Soldiers’ and Sailors’ Monument within large block letters of the year, was adorned with holly.

It was published by Franz Huld of 246 Fifth Avenue as part of Series 1906, No. 1.

He is regarded as a significant American publisher who experimented with views, commemorations, comics and novelties.

Earlier on, the postcard trade was largely based in Germany and Holland.

It is all eyes on Times Square in a selection of postcards. A white border postcard features a black and white printed image of shoulder to shoulder attendees.

It is captioned, “They definitely met at the Astor on New Year’s Eve.”

It was photographed from a once ornate Times Building and faces the Studebaker Building.

A Chevrolet illuminated sign reads 12:00. To its left is the legendary Beaux Arts style Hotel Astor, which was in operation from 1904 to 1967.

Times Square became the scene of New Year’s Eve celebrations in 1904, and the first ball drop dates to 1907, which was erected by New York Times publisher Adolph Ochs.

Other festive events were captured on hand-colored lithographs, including the Tournament of Roses on New Year’s Day in Pasadena, California.

It features an exquisitely decorated high school float with roses on trees, floats and vines that unite the unique costumed marchers.

Poetry and inspirational quotes can be found on early 20th century postcards.

A circa 1910 postcard features an illustration of an elegantly dressed woman holding flowers and sitting on a ladder, with flowers growing around the ladder.

It is titled “A Glad New Year” and reads in a creative font, “As you climb the ladder of success, With heart that’s kind and humble, You’ll surely reach the topmost rung, And never get a tumble.”

It becomes a musical production on an Auld Lang Syne postcard, which bids farewell to the old year and is interpreted as a call to remember long-standing friendships.

It features the complete lyrics on a banner with a watercolor background, and two men on top wearing suits with a top hat and a traditional hat, shaking hands.

Another New Year Greetings circa 1912 postcard reads: “We’ll take the Grand Tour round the sun, Nor mind the wind and wet, And may we say when it is done, ‘The happiest journey yet.’”

The poem is complemented by a child in a raincoat and a rain hat on a boat with a backdrop of an early skyline with blues and golds.

This signed postcard was the result of a significant American illustrator, Ellen Hattie Clapsaddle (1865 – 1934), whose style has drawn much admiration, making her a most prolific postcard and greeting card artist of her time.

Other postcards offer a romantic theme. Among a most elegant hand-colored lithograph depicts a couple dressed in an evening gown and suit and toasting in front of a picturesque scene of water, trees and a mountain while embracing on a landing in front of a mansion with a balustrade.

It is trimmed in gold leaf.

Another chromolithograph postcard from circa 1910 focuses on a Colonial era couple dancing at a ball, kicking their feet, with Impressionist musicians playing the violin and outlines of couples dancing in the background.

A gold frame with graceful ornamentation can be found within, where candlelight sconces are tied to the detail.

This embossed postcard was published by E. Nash Co. under the New Year Postcards Series, and was also a well-known illustrator of high-quality holiday cards and based in Manhattan.

A most famous publisher was Raphael Tuck & Sons, and the firm was considered “Art publishers to their majesties the king and queen.”

Postcards by this firm are most desirable and operated from 1866 to the 1960s in London and at 122 Fifth Avenue in Manhattan.

One postcard depicts an elegant couple ringing in the new year by looking into each other’s eyes as the man is pulling off a page of a calendar to reveal Jan. 1 under an elaborate Victorian style band with golden four-leaf clovers and under a Roman numeral clock.

Clocks that struck midnight were a popular theme, as in the case of an embossed gold, pink and blues accentuated 1907 postcard designed in the Art Nouveau style.

Some outstanding features were torches with ribbons, leaves and floral motifs.

A bottom inscription reads, “P. Sanders, New York,” which references the publisher. Illustrated holiday postcards were his specialty.

The advent of the automobile is celebrated in colorful postcards that were futuristic yet graceful.

A young couple, facing the camera, rides in a two-seater in “A Prosperous New Year” circa 1910 postcard.

The woman wears a traditional coat with a floral hat, beside a man in a well-appointed coat tipping his hat. The same couple was depicted in at least one variation of this postcard.

A deltiologist takes note of personalized features, including a ribbon and varied rose vines outlining the curves of the car. A young boy with angelic wings blows a triumphant horn in unison.

Prior to the postcard trade arriving in America, production was underway in Europe.

A “Buon Anno” circa 1900 Art Nouveau illustration features a woman pouring water from an urn to extinguish a fire, symbolizing renewal.

It bears the name of author R.M. Orlow. An inscription from publisher Stengel & Co (1885 – 1945) reads “Dresden u. Berlin.”

Real photo postcards, with color-tinted highlights of an image, were often dominated by a sepia tone finish.

It was rare to find the same couple or a group of children featured on other postcards of its kind.

These postcards usually offer an ornate ambiance and one-of-a-kind calligraphy, such as in a Bonne Année card, where a man looks into a woman’s eyes, ready for that New Year’s kiss.

The viewer can encounter timeless romance, and have a taste of Victorian era fashions and furnishings. Unlike completely illustrated postcards, these cards feature images of real people, often in a studio depicting a European setting.

Family bonds were represented on real photo postcards, and some featured calendars alongside portraits that reinforced those bonds year-round.

A baby boy hugs his father in one frame, whereas a baby girl hugs her mother in another.

A greeting, “May the New Year bring every happiness to you and yours,” can be seen daily while checking its 1911 calendar.

Gilded Age accented corners add to its distinction. This divided back postcard was part of the Rotary “Real Photographic” Opalette Series and was printed in England.

The Rotary Photographic Co. was associated with at least 1,422 portraits, was active between 1897 and 1916 and was a foremost real photo postcard publisher.

A hybrid of a romance and humor postcard can be found as a snowman takes on male and female form and engages in a proposal.

At midnight, a couple placed themselves in their shoes in a light-hearted interpretation in this circa 1920s or 1930s W.H.B. watercolor, which reads “Die besten wünsche zum jahreswechsel” or “Best wishes for the turn of the year” in German.

Celebrating traditions through vintage Thanksgiving postcards

Reviving forgotten postcard treasures

By Michael Perlman

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An early 1900s gobble-producing mechanical postcard.

Historians consider the first Thanksgiving meal to date to 1621, where 53 Mayflower pilgrims and 90 Wampanoag Native Americans at Plymouth shared an autumn feast for a three-day period.

Thanksgiving traditions came to life through highly stylized and vibrant hand-colored lithograph postcards.

Today, they are considered to be collectible works of art.

In 1873, the first American picture postcard was designed.

A significant number of postcards of the late 19th and early to mid-20th century exist in good to excellent condition and feature handwritten messages and one-cent and two-cent stamps.

Deltiology is the collection and study of postcards, which derives from “deltion,” a Greek term for a writing tablet or letter. Therefore, a postcard collector is known as a deltiologist.

Several decades ago, postcards could be found at a corner pharmacy, but today they can be purchased at postcard shows and estate sales or on eBay. Amazingly, the topics represent nearly every theme imaginable, capturing the history of hometowns and hobbies to holidays.

As a deltiologist, it is timely to explore the artistry and history associated with Thanksgiving postcards by pinpointing highlights.

Mechanical postcards are most interactive and were cleverly engineered, which is why such postcards continue to operate approximately 120 years later.

In one postcard, a collector lightly presses the stomach of one of two elaborately illustrated turkeys, and it produces a “gobble.”

Steps away is the Hudson River with lustrous rays from the Statue of Liberty in the background. The application of color evokes the feeling of a watercolor painting.

The “Macy Color Views of New York” postcard series captures the magic of the Macy’s Thanksgiving Day Parade as of 1939, a year that is more recent than nearly all Thanksgiving postcards. This chrome postcard features a toy soldier float making its way alongside the Columbus Monument.

The 1939 Thanksgiving Parade, R.H. Macy & Co. series.

A caption reads, “Annual mile pageant of giant helium-filled balloons escorts Santa Claus to the world’s largest store at Broadway & 34th Street.” Since postcards are the catalyst for historic research, the viewer learns that the parade originated in 1924 and once featured animals from the Central Park Zoo.

Then floats were introduced and would be released into the air with a return address. If one was fortunate enough to find it after the parade ended, they would be a prize winner.

Some Thanksgiving postcards are embossed, adding an engaging feel to the realistic, yet dreamy hand-colored images, coupled with illustrations known as add-ons.

A divided back postcard from 1910 has “Thanksgiving Series Number 906” printed on the back, with the name A.S. Meeker, N.Y, granting insight on its publication.

It features a harvest theme with apples, grapes, corn, wheat and a pumpkin as part of a border formed by branches with Elm tree leaves.

It frames a river scene consisting of a rich autumn sky over a river with a farmhouse and a cow grazing. A turkey walks along the branches, overlooking the scene.

Other postcards in this series feature similar imagery and design details, hence telling a story.

A significant artist was Ellen Hattie Clapsaddle (1865 – 1934), whose style has drawn much admiration, making her the most prolific postcard and greeting card artist of her time.

In one of her signed postcards, children have big eyes on a pie after presumably baking it, considering their hats.

A product of the famed artist Ellen Clapsaddle.

The postcards offer a lesson within themselves when it comes to calligraphy, as each one is personalized.

Some of her postcards were accompanied by poetry: “Oh sing a song of pumpkin pies; And turkeys roasted brown; Thanksgiving Day is here again. And come this year to crown. Oh pray receive my wholesome wishes, For well-prepared Thanksgiving Dishes.”

This postcard was produced by International Art Publishing Company of New York and Philadelphia, as evident by a logo on the reverse featuring an eagle landing on a planet.

This subsidiary was founded by Wolf & Co. and Art Lithographic Publishing Co. to assume production of their souvenir and holiday postcards.

They were significant as a publisher of artist-signed cards and operated largely between 1895 and 1915.

Their firm was located at 3 and 5 Waverly Place in New York.

John Winsch (1865 – 1923) of Stapleton, New York was co-manager of the Art Lithographic Publishing Company.

He copyrighted his artist signed greeting cards, where many were published in sets, and produced approximately 4,000 designs between 1910 and 1915.

He was highly recognized for his Thanksgiving and Halloween postcards. He also used European artists who worked with his German printers.

His circa 1909 postcard, printed in Germany, consists of a black and white photographic window into nearly a few hundred years earlier, where pilgrims are preparing for their meal.

It is offset by a Victorian green, red and golden yellow color scheme, which dominates the large frame featuring ornate details, corn, a fall moon and triumphant instruments.

Some of Winsch’s cards feature poetry such as that of John Greenleaf Whittier (1807 – 1892).

An excerpt from his work, “Peace Autumn,” reads: “Thank God for rest, where none molest, And none can make afraid, for Peace that sits as Plenty’s guest, Beneath the homestead’s shade.”

Artist John Winsch & poet John Greenleaf Whittier: Significant art coming together.

He was noteworthy as an American Quaker poet, an advocate for abolishing slavery and a founder of “The Atlantic Monthly.”

His friends included Mark Twain and Frederick Douglass. His poetry reflected rural life, religion and nature.

The pilgrims’ arrival at Plymouth Rock was featured on a postcard by Raphael Tuck & Sons, where traditional colors, texture and emotions are brilliantly captured.

This firm was founded in London by Raphael Tuck (1821 – 1900) and operated from 1866 to 1959. Other locations included Paris, Berlin, Montreal, and 298 Broadway and 122 – 124 Fifth Avenue.

In 1894, his son, Adolph Tuck, created their first picture postcard.

Pilgrims’ arrival at Plymouth Rock by the significant firm, Raphael Tuck & Sons.

This prominent publisher was considered “Art publishers to their majesties the king and queen,” as noted on the reverse of their postcards, since Queen Victoria granted them the Royal Warrant of Appointment in 1883. These postcards are among the most desirable by collectors.

Certain postcards offer a lesson in patriotism, where at least one in the Gottschalk series exhibits a very rare 47-star American flag, symbolic of New Mexico’s addition in January 1912. The flag was active for only a month.

Victorian masterpiece, Gottschalk series with a rare 47-star American flag, 1912.

The colorful and highly stylized postcard series frequently says “Thanksgiving Greetings,” and this card also features an ornate gold embossed border, flowers and fruits marking a prosperous harvest, as well as a family of turkeys with teepees forming the backdrop.

Gottschalk, Dreyfuss & Davis Co. Ltd. was active from 1904 to 1915 and operated offices in New York, London and Munich.

Sometimes a menu was brought to the recipient; not always in the form of food, but a selection of blessings.

One such Gilded Age style postcard in this series features a pilgrim boy and girl, shoulder to shoulder, holding up graceful desserts, while a turkey, pumpkin and leaves add much character.

The entrée menu reads: “Health a la Wealth, Prosperity, Garnished with Joys, True Love, Happiness, Long Life.”

An E. Nash “Health a la Wealth” menu postcard.

Grapes are depicted on the menu as a symbol of abundance and good fortune.

This circa 1910 series was produced by New York publisher E. Nash.

Among the best Thanksgiving postcards highlights a Victorian-era family, ready for their cozy feast, marked by an elegant table setting under a gas lamp.

One artist brilliantly captured the anticipation between a husband and wife with a “Home Sweet Home” frame over the mantel, and a cat that is ready for the occasion, with a bowtie.

Embossed in gold leaf is “Welcome Thanksgiving Day.”

The design has a 1908 copyright by M.W. Taggart, a New York City-based firm from 1905 to 1910. Their specialty was holiday and greeting postcards with patriotic and humorous themes and a superb use of primary colors.

“Welcome Thanksgiving Day” by M.W. Taggart, 1908.

Many postcards feature handwritten messages, often with fine penmanship, either written with a fountain pen or in pencil.

It reads: “Dear Teacher, This card is from Carlie Strumguist. Wishing you a Happy Thanksgiving. Good bye.” The recipient is Frances C. Smith.

Over a century later, the spirit of past generations has its way of communicating.

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